Posts tagged “Cinema

Film Adaptation Interview with Sarah Thomas Storyteller

Posted on May 7, 2020

I’ve been interviewed by the wonderful screenwriter and copywriter, Sarah Thomas. You can find all of my answers to these questions (and more) on her website Sarah Thomas Storyteller. And don’t forget to drop your answers in the comments below, I’d love to hear your thoughts.

Kids With Guns: Depictions of Adolescence in Monos and Piranhas

Posted on October 25, 2019

As teenage gangs and knife crime become familiar news stories, two exciting filmmakers expose the frenetic energy and naivety of youth by putting weapons in the hands of their fresh-faced casts. From Alejandro Landes (Porfirio) comes Monos, an extraordinary and atmospheric drama about the disintegration of a team of child soldiers. Monos took home the Official Competition prize for Best Film at this year’s London Film Festival and opens in UK cinemas today. Piranhas, works in the opposite direction focussing on the rise of a child gang or ‘paranza’. Piranhas also received its UK premier at LFF where I spoke to writer-director, Claudio Giovannesi (Alì Blue Eyes, Fiore) about his depiction of adolescence in the film. In this feature I explore how Monos and…

London Film Festival: Earthquake Bird & Nocturnal #LFF2019

Posted on October 14, 2019

More first look film reviews from this year’s BFI London Film Festival #LFF EARTHQUAKE BIRD Writer-director Wash Westmoreland (Still Alice) adapts Susanna Jones’ lightweight crime novel about a female translator accused of murder in Japan. Lucy Fly (Alicia Vikander) has lived in Tokyo for five years. She’s composed, capable and taciturn. The victim is a hopeless newcomer, a flirty, wide-eyed American blonde (Riley Keough). Their uneasy friendship, complicated by Lucy’s mysterious boyfriend Teiji (Naoki Kobayashi), is the source of the film’s rising tension. It plays out in flashback from the police interrogation room.   Westmoreland borrows this difficult structure from the novel. Yet, while Lucy’s memories feel like interruptions on the page (the desire to return to the interrogation always pressing) Westmoreland’s immersive storytelling…

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